15.
(A) deterrent
(B) primacy
(C) conundrum
(D) emulation

複選題16.(AB) None had to queue for free bread.  (AC) Just as Gladiator II recently vexed classicists with its inaccurate portrayal of the emperors, so too has director Brady Corbet riled the architecture world by playing fast and loose with his interpretation of brutalism, the Bauhaus, and postwar immigration.  (AD) Now brutalism, the once-maligned postwar architectural style of chiseled concrete forms, has finally reached Hollywood, in the form of an epic three-and-a-half-hour film that looks set to sweep the Oscars.  (AE) But he first made his name designing curved tubular steel furniture, of a kind practically identical to Tóth’s in the film’s early scenes.  (BC) Titled Presence of the Past, it was the moment that postmodernism took ascendancy, seeing a colorful parade of architects indulging in cartoonish historical references, embracing wit, humor and knowing pastiche. (BD) In the movie, Brody’s tortured Tóth bristles with single-minded egotism, driven to the edge of sanity by his dogged devotion to the project, choosing to quit and shovel coal rather than see his vision compromised.  (BE) For almost an hour, they railed against everything from the stereotypical depiction of the architect as a lone male genius to the Bauhaus-inspired graphic design of the credits.  

複選題17.(AB) None had to queue for free bread.  (AC) Just as Gladiator II recently vexed classicists with its inaccurate portrayal of the emperors, so too has director Brady Corbet riled the architecture world by playing fast and loose with his interpretation of brutalism, the Bauhaus, and postwar immigration.  (AD) Now brutalism, the once-maligned postwar architectural style of chiseled concrete forms, has finally reached Hollywood, in the form of an epic three-and-a-half-hour film that looks set to sweep the Oscars.  (AE) But he first made his name designing curved tubular steel furniture, of a kind practically identical to Tóth’s in the film’s early scenes.  (BC) Titled Presence of the Past, it was the moment that postmodernism took ascendancy, seeing a colorful parade of architects indulging in cartoonish historical references, embracing wit, humor and knowing pastiche. (BD) In the movie, Brody’s tortured Tóth bristles with single-minded egotism, driven to the edge of sanity by his dogged devotion to the project, choosing to quit and shovel coal rather than see his vision compromised.  (BE) For almost an hour, they railed against everything from the stereotypical depiction of the architect as a lone male genius to the Bauhaus-inspired graphic design of the credits.  

複選題18.(AB) None had to queue for free bread.  (AC) Just as Gladiator II recently vexed classicists with its inaccurate portrayal of the emperors, so too has director Brady Corbet riled the architecture world by playing fast and loose with his interpretation of brutalism, the Bauhaus, and postwar immigration.  (AD) Now brutalism, the once-maligned postwar architectural style of chiseled concrete forms, has finally reached Hollywood, in the form of an epic three-and-a-half-hour film that looks set to sweep the Oscars.  (AE) But he first made his name designing curved tubular steel furniture, of a kind practically identical to Tóth’s in the film’s early scenes.  (BC) Titled Presence of the Past, it was the moment that postmodernism took ascendancy, seeing a colorful parade of architects indulging in cartoonish historical references, embracing wit, humor and knowing pastiche. (BD) In the movie, Brody’s tortured Tóth bristles with single-minded egotism, driven to the edge of sanity by his dogged devotion to the project, choosing to quit and shovel coal rather than see his vision compromised.  (BE) For almost an hour, they railed against everything from the stereotypical depiction of the architect as a lone male genius to the Bauhaus-inspired graphic design of the credits.  

複選題19.(AB) None had to queue for free bread.  (AC) Just as Gladiator II recently vexed classicists with its inaccurate portrayal of the emperors, so too has director Brady Corbet riled the architecture world by playing fast and loose with his interpretation of brutalism, the Bauhaus, and postwar immigration.  (AD) Now brutalism, the once-maligned postwar architectural style of chiseled concrete forms, has finally reached Hollywood, in the form of an epic three-and-a-half-hour film that looks set to sweep the Oscars.  (AE) But he first made his name designing curved tubular steel furniture, of a kind practically identical to Tóth’s in the film’s early scenes.  (BC) Titled Presence of the Past, it was the moment that postmodernism took ascendancy, seeing a colorful parade of architects indulging in cartoonish historical references, embracing wit, humor and knowing pastiche. (BD) In the movie, Brody’s tortured Tóth bristles with single-minded egotism, driven to the edge of sanity by his dogged devotion to the project, choosing to quit and shovel coal rather than see his vision compromised.  (BE) For almost an hour, they railed against everything from the stereotypical depiction of the architect as a lone male genius to the Bauhaus-inspired graphic design of the credits.  

複選題20.(AB) None had to queue for free bread.  (AC) Just as Gladiator II recently vexed classicists with its inaccurate portrayal of the emperors, so too has director Brady Corbet riled the architecture world by playing fast and loose with his interpretation of brutalism, the Bauhaus, and postwar immigration.  (AD) Now brutalism, the once-maligned postwar architectural style of chiseled concrete forms, has finally reached Hollywood, in the form of an epic three-and-a-half-hour film that looks set to sweep the Oscars.  (AE) But he first made his name designing curved tubular steel furniture, of a kind practically identical to Tóth’s in the film’s early scenes.  (BC) Titled Presence of the Past, it was the moment that postmodernism took ascendancy, seeing a colorful parade of architects indulging in cartoonish historical references, embracing wit, humor and knowing pastiche. (BD) In the movie, Brody’s tortured Tóth bristles with single-minded egotism, driven to the edge of sanity by his dogged devotion to the project, choosing to quit and shovel coal rather than see his vision compromised.  (BE) For almost an hour, they railed against everything from the stereotypical depiction of the architect as a lone male genius to the Bauhaus-inspired graphic design of the credits.  

1. There was a ________ pause when the roller coaster reached the top and began to dive. (A) tasty (B) local (C) mental (D) brief

2. Much to my ________, my father made a speedy recovery and became healthy again after he had a minor stroke. (A) relief (B) injury (C) stress (D) sweat

3. It’s not appropriate to show up for the job interview in a T-shirt and jeans, for they are considered too _______ or informal. (A) swift (B) casual (C) temporary (D) permanent

4. The movie had all the ________ of a romantic comedy, such as a happy ending, two lovable lead characters and wonderful background music. (A) elements (B) leathers (C) columns (D) helmets

5. I just bought a house in the downtown area where many famous department stores and restaurants were within walking ________ from my home. (A) distance (B) tolerance (C) conference (D) evidence

115年 - 115 中區縣市政府教師甄選策略聯盟_國中：英語科#140388

115年 - 115 臺南市立蓮潭國民中小學(國中部)_教師甄選試題：英文科#140303

115年 - 115 臺南市市立國民小學_教師暨學前特教師聯合甄選：英語專門#140295

115年 - 115 新北市立國民中學_教師聯合甄選試題：英文科#140276

115年 - 115 高雄市立高雄高級中學_正式教師甄選試題︰英文科#140110

115年 - 115 教育部受託辦理公立高級中等學校教師甄選試題：英文科/應用英文科#139637

115年 - 115-1 國立臺南第二高級中學_教師甄選試題︰英文科#139242

115年 - 115 臺北市立內湖高級工業職業學校_正式教師甄選試題：應英科#139220

115年 - 115 新北市公立高級中等學校_教師聯合甄選試題：英文科#139218

115年 - 115 臺北市立陽明高級中學正式教師甄選試題：高中英文科#139217